Tag Archives: Petyr Baelish

Dances with Wolves: Analyzing the Martial Language of Sansa’s Story

Today, we are joined by a very special guest glass_table_girl for an analysis of Sansa Stark and how she has used courtesy to survive so far, and how she’s weaponizing it for the future. – BryndenBFish

Introduction

in_the_gardens_of_eyrie_by_bubug-d6j8w82In the gardens of Eyrie by bubug

Every fan can recite the trademark phrases from Sansa’s storyline, such as “courtesy is a lady’s armor” or “women’s weapons.”

Despite these metaphors, Sansa’s storyline through the lens of fighting and warfare goes unexplored, and ignores motifs that contrast with other characters to highlight the themes in both Sansa’s storyline and the progression of her character.

tl;dr: Sansa’s storyline is defined in language that equates her learning to warfare. Throughout her story, she accumulates an arsenal while playing defense, pivoting to an offensive position in her first TWOW chapter with the act of “dancing,” which the books establish to be a metaphor for violence or fighting. By framing Sansa’s education in martial language, the story establishes her learning as becoming a warrior—in a different sense.

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The Ravenry: Week of 10/26/2015

Hello seekers,

As you may or may not know, Wars and Politics of Ice and Fire has its own Tumblr page (as well as its own Twitter and Facebook pages).  Even more excitingly,  we here at the blog have partnered with ASOIAF University to answer questions about A Song of Ice and Fire.  We – that is, NFriel and I – take the text-based questions submitted to us, write up thoughtful text-based answers, and publish these answers on the Tumblr.

So every Monday we present to you The Ravenry.  We collect the questions we’ve answered during the previous week over on the Tumblr in post form, with a brief description of each, and publish it here, and link that post on Twitter and Facebook as well. The Queen Regent wrote a very good post on the gulf between the legal technicalities and political realities of women and marriage and goes into some leadership and commandership questions of some of Westeros’s most notable figures.

So, without further ado, here’s The Ravenry for the week of October 26:

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Filed under ASOIAF Analysis, ASOIAF Character Analysis, ASOIAF History, ASOIAF Military Analysis, ASOIAF Political Analysis, Ravenry

Littlefinger: The Gambling Man and the Master Player Part 2: The Maniac

Introduction

“Always keep your foes confused. If they are never certain who you are or what you want, they cannot know what you are like to do next. Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you.” (ASOS, Sansa V)

Part 1

When I was younger, I had delusions of playing poker professionally. After losing money early on, I tried to figure out what I was doing wrong. So, I read books to improve my game. While I was never able to really turn a profit in playing, I did learn about the various styles of play which made the actual pros tick. One of those styles of play is known as loose-aggressive. Loose-Aggressive players (sometimes pejoratively known as maniacs) play a lot of the hands dealt to them no matter the strength of the cards in hand. In this way, they consistently keep other players guessing what the true strength of their hand is.

If Littlefinger were a poker player, he would be a maniac. Like me, his early forays into the game resulted in losses for him — a scar and a broken heart being the most prominent. Unlike me, his later maniac style of play netted huge personal profits. But how did Littlefinger achieve this feat? We’ll pick up the story chronologically from part 1. I’ll talk about the knife and Littlefinger’s early intrigues of the court with Ned as Hand.

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